DESIGN
SUMMER
24
盛夏又至

我在刚举办的上海个展“千千万万”中,谈到重复这个概念。重复是最为机械、最为刻板的。重复令人觉得无趣、缺乏新意。但在Gilles Deleuze的观点中,重复才带来差异的可能性。重复令有心人注视微小的差异、变易和变状。重复是常态,一种将量变累积,成为质变的基础。

重复还是专业的常态。所谓专业,就是在重复中磨研内容,将细节打磨、再打磨。重复打磨内容时,还锻炼了耐性。重复多了,累积成经验。经验是我一直难以判断的概念。公平说,经验论对于专业,是好坏参半的。但不至于像Gilles Deleuze说的,“是人们见所未见、闻所未闻的最为疯狂的概念创造活动。”我看到的经验论是专业实践的残余。因为我看到,经验总和专业锁在一起。可能,人被称为专业者,其实是重复的叠加者。

Design Summer也是重复的一种,一年又一年,内容永远不变,细节总是不同。

2024,盛夏又至,重复再次。

At the recent “Innumerable” solo exhibition in Shanghai, I delved into the theme of repetition, a concept often dismissed as mechanical, tedious, and lacking in creativity. However, according to Gilles Deleuze, it is repetition that fosters the potential for variation. Repetition draws our attention to the subtle differences and changes around us, serving as a fundamental aspect of our world, where accumulation of the same eventually triggers a qualitative transformation.

In any field of expertise, repetition is the norm. It is through consistent repetition that professionals refine their work, achieving perfection in the minutiae. This process cultivates patience and helps one build up experience. The value of experience, however, is ambiguous to me. To be fair, empiricism has its pros and cons, though it is not exactly “the most insane creation of concepts ever seen or heard” as described by Deleuze. I understand empiricism to be a by-product of extensive professional practice. Experience is often equated with professional ability, suggesting that perhaps professionalism is merely the result of persistent repetition.

Design Summer is a form of repetition too. Every year, the content seems unchanging, but the details are always new.

This year, as summer approaches once again, we shall embrace repetition.

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